Filipino-American Community Gets a Lovingly Hilarious Tribute in Jo Koy’s Easter Sunday
In a time when studios are less inclined to take risks and many indie films are struggling to find a foothold with audiences that have more viewing choices than ever, specificity is the new universal.
Take the comedy Easter Sunday. It has what may be one of the oldest premises in existence – the struggling big city guy who returns home for a holiday with his crazy family. Complications ensue.
